Welcome back to the blog! We’re so close to the end. Today I have Amos Cassidy talking about the Festival of York.
Hi, we’re Richard Amos and Debbie Cassidy and we write as Amos Cassidy, and we love being indie authors. The best thing about Indie is the control over what you write, how you package it, where you sell it and when you release it. Being Indie is great, however, last year we began to think that it would be nice to have our fingers in the traditional publishing pie, so we signed up to attend the huge Festival of Writing event in York last September. So what happened? Well we made some fab author friends, got to ask a bunch of burning questions to people who worked in the industry and attended a load of workshops that opened our eyes to several errors we were making – not only in our writing, but in our approach to traditional publishing.
We had our one-to-one sessions with agents and received some very positive feedback. By the end of the stay we had received four requests for full manuscripts.
We have since learned that an agent requesting a full manuscript does not guarantee an offer of representation. Having done some research, we found that on average an agent could request 100 – 200 full manuscripts a year. Out of this number maybe 5-10 will be selected for representation. Smaller agencies will have smaller numbers. So, as you can imagine, any manuscript would have to not only be exceptionally written, but also excite the agent on a personal level.
We have yet to receive that call. Until then, we continue to write; both for the self publishing market and other projects aimed more at traditional publishing. We have learned so much over the past 6 months and we would like to share a few tips that may help if you decide to poke a finger in the traditional publishing pie.
- Don’t just write for the market– The market is ever changing; even the publishers don’t know what will be hot next. You need to write what excites you. If you struggle to get into the story then how do you expect your readers to feel?
- Do not underestimate the importance of a solid covering letter – This is your first impression. If you are sloppy here then the agent will assume that your submission is sloppy. A lot of submissions are simply rejected because of a sloppy or untidy covering letter. Agents get hundreds of submissions; make sure you follow the guidelines so you don’t get added to the trash. Remember to address your letter to the agent personally and tell them why you have chosen them. Don’t go on and on about yourself unless the information is relevant to what you have written. For example, if you have written a Psychological Suspense and are a psychiatrist or have a MA in Psychology then by all means let them know. Otherwise, there is no need to go into detail. At this stage the agent simply wants to know about your novel and any writing history – publication in journals, magazines etc…
- Make your manuscript sparkle– Ideally you should stick your first draft in a drawer for a few weeks and come back to it. Go over it with a critical eye, self-editing it as you go. If you are unsure about grammar and punctuation there are loads of books and online tools on how to get to grips with it. Also, you can get it professionally edited. Otherwise, you can get it proof-read. Beta readers are always a good idea, they will look for plot holes and inconsistencies. A great resource of information is the ‘Writers’ & Artists’ Yearbook Guide to Getting Published by Harry Bingham’
- Do your research– Agents are people too, they have likes and dislikes, they are not generic representation machines. What excites one agent may put another to sleep. Read their bio’s, do a little Twitter stalking and check out Writer’s Digest online. All invaluable in helping you make the decision about which agents to approach. Remember that an agent-author relationship is just that, a relationship, and it won’t work if you don’t have anything in common.
- Do make multiple submissions– You can submit to more than one agency at a time, but check their submission requirements as some like to be informed if you are doing this.
- Be patient– It can take on average up to 8 weeks to get a response to a submission, and if they request a full manuscript then there is another wait, anything from 1 month to 3. Every agency has their own guidelines as to times and acknowledgements, which is why submitting to more than one agent is a good idea.
- Never give up – Keep going. If you want to write then write and keep on doing it. We know what it’s like to feel down at times, but we can’t stop. Writing is in our blood. Never try and shut down that feeling of the love of telling a story as it will never go away. Embrace it and soldier on!
There are plenty of online resources with tips on how to formulate that perfect covering letter and how to format your completed manuscript. You are not alone. Having done a ton of research ourselves, we are happy to answer any questions you may have on the subject.
Writing Festivals and workshops are fantastic for making connections with like-minded people, picking up tips and expanding your mind. If you are serious about traditional publishing, and can afford to go, then we would highly recommend attending one.
Cindy here again.
This makes me want to go to a writing festival. Good thing they have one around here every year.
April 29, 2015 at 12:09 pm
I love writing festivals and feel so invigorated afterward. Thanks for sharing your advice – spot on!